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Published on 12 Dec 2014 | over 2 years ago

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Vivaldi - Sinfonia in C Major, RV 112: I. Allegro
Corelli - Concerto Grosso No. 1 in D Major, Op. 6: I. Largo ( 01:58 )
Vivaldi - Strings Concerto in G Minor, RV 152: I. Allegro molto ( 04:55 )
Mozart - Eine kleine Nachtmusik in G Major, K. 525: I. Allegro ( 06:52 )
Tchaikovsky - Nutcracker Suite, Op. 71a: No. 1, Miniature Overture. Allegro giusto ( 12:55 )
Corelli - Concerto Grosso No. 1 in D Major, Op. 6: II. Largo ( 16:12 )
Vivaldi - Concerto for Strings in D Major, RV 121: III. Allegro ( 19:50 )
Vivaldi - Concerto No. 1, in E Major, Op. 8, RV 269: III. Allegro Pastorale « Primavera » ( 21:53 )
Piccinni - La Molinarella: Symphony ( 26:16 )
Stamitz - Sinfonia Concertante in D Major: III. Rondò ( 32:16 )
Szymanowski - Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto ( 37:17 )
Szymanowski - Violin Concerto No. 2 in D Minor, Op. 61: III. Allegramente ( 43:34 )
Corelli - Concerto Grosso No. 9 in F Major, Op. 6: II. Corrente. Vivace ( 45:12 )
Vivaldi - Strings Concerto in B-Flat Minor, RV 164: I. Allegro ( 47:06 )
Corelli - Concerto Grosso No. 10 in C Major, Op. 6: I. Allemanda. Allegro ( 49:06 )
Vivaldi - Sinfonia in G Major, RV 149: I. Allegro molto ( 52:16 )
Vivaldi - Sinfonia in G Major, RV 149: II. Andante ( 54: 08 )
Corelli - Concerto Grosso No. 10 in C Major, Op. 6: III. Allegro ( 55:43 )
Strauss II - Frühlingsstimmen, Op. 410 ( 58:43 )
Vivaldi - Concerto for Strings in E Minor, RV 133: I. Allegro ( 01:06:21 )
Strauss - Tritsch-Tratsch-Polka, Op. 214 ( 01:08:44 )
Vivaldi - Sinfonia in B Minor, RV 169 "Al Santo Sepolcro": II. Allegro non molto ( 01:11:21 )

The violin was first known in 16th-century Italy, with some further modifications occurring in the 18th and 19th centuries. In Spain, Italy and Europe, it served as the basis for stringed instruments used in western classical music, the viola and the violin. Violinists and collectors particularly prize the instruments made by the Stradivari, Guarneri and Amati families from the 16th to the 18th century in Brescia and Cremona and by Jacob Stainer in Austria. According to their reputation, the quality of their sound has defied attempts to explain or equal it, though this belief is disputed.

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